Forgot one

Apr. 25th, 2026 07:32 am
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One other show I'm watching this anime season: Nippon Sangoku: The Three Nations of the Crimson Sun. It's set in a future Japan which, for various reasons that should not be thought too hard about, has regressed to a feudal-ish society but with early 20th century technology. The first episode leaned hard into feudal-level corruption and cruelty, so despite the excellent production values I did not plan to watch any more of it, but another viewer at my favorite anime Discord server assured me that episode 2 was a lot less like that.

There are probably a lot of references to Japanese history and/or The Romance of the Three Kingdoms that are going over my head, but that's okay for now.
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I want to get back into posting about the anime I'm watching, especially since I wanted to check out a bunch of things this season.

Snowball Earth looks likely to become the show I keep desperately recommending to my fellow Worldcon members until Hugo nominations close next spring. Episode 1 speedruns an entire mecha show about a teenager with a special gift and his special robot fighting off an alien invasion, until things go disastrously wrong and the protagonist finds himself back on Earth after a very sudden climate change. Worse, he was planning to make up for his social isolation and awkwardness by making a bunch of friends after the final battle, and the population of Earth seems to have dropped precipitously.

It's about 75% comedy, 20% earnest mecha action, 5% horror, and all good so far. It's also like someone saw Gargantia on the Verdurous Planet and set out to prove that the premise had a much better show hiding in it.

Rooster Fighter has a pretty thin premise (tough-guy fighter except he's an actual chicken) and yet it's so well executed that I keep deciding to watch one more episode. At some point I think I'll hit a wall and suddenly not care anymore, but today is not that day.

Daemons of the Shadow Realm has managed to conceal a very important piece of its information about its setting from its trailers, which makes for a pretty big shock in the first episode. Congrats to the marketing department, except had I known that piece of information from the beginning, I would have been more interested. Anyway, the last Arakawa Hiromu adaptation I saw felt meh (Arslan) but this is going very well so far.

Mao is the other big adaptation of a manga by a famous long-running author, and um... if you like Takahashi Rumiko's work, this is definitely another Takahashi Rumiko work. I was not gripped.

Welcome to Demon School, Iruma-kun! season 4 inspired me to finally finish season 3, where I'd gotten bogged down in the Harvest Festival arc. Hoping the Music Festival goes better. So far, so good.

Kujima: Why Sing When You Can Warble? is about a boy who meets a migratory anthropomorphic bird-thing and invites it home to live with him. Mildly heartwarming things ensue. This was billed as a "horror comedy", and I feel like the premiere could have used more of both. OTOH, there is some delightfully demented voice acting. I'm going to give this one one more episode.

Killed Again, Mr. Detective? had an interesting-sounding premise, but it's very, very much a light novel adaptation full of light novel tropes that I'm sick of.

Witch Hat Atelier had an excellent first episode featuring the rare anime fantasy world where it all fits together, unlike the usual visual mishmash. Then episode 2 introduced a few characters I feel like I've seen in a million other school and school-like shows, and I was a lot less excited. I'll see how the rest of the season goes.
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A bit late for first impressions, but I still feel the urge to get my thoughts out there.

Dekin no Mogura: The Earthbound Mole has ugly character designs and a ton of talking, and yet is a joy and a treasure and I can hardly wait for the next episode from week to week. This is an adaptation of a manga by Eguchi Natsumi, the author of Hozuki's Coolheadedness, and starts off with a similar mix of comedy and folklore geekery. But then it adds a lot more layers. First there's the giant supernatural cat antics, and then it turns out that Eguchi has been storing up a lot of thoughts about how girls and women are socialized to behave in contemporary society, and then there's the matter of the ongoing flashbacks to World War II.

Necronomico and the Cosmic Horror Show is great if you are well-versed in both the Cthulhu mythos and the anime death game genre, an overlap not likely to occur much outside Japan. The little problem with the subtitles in episode 1 has been ironed out and now my only complaint is that the new translator doesn't know how to spell Ticktockman. Because the show has borrowed him too, for some reason.

Sword of the Demon Hunter is getting into the big events of the late 1860s while shifting its tone ever further away from grimdark. It may be trying a little too hard at this point, particularly with a recent episode where it is implied that someone eventually reforms but we miss the most interesting part of their story.

Hanako-kun season 2 part 2 is still gorgeous to look at, but suffering badly from being watched the same day as Dekin no Mogura. It isn't dragging as badly as the previous cour, but it feels like it is ambling with unnecessary slowness toward an ending that can be seen a mile away.

I was all set to hate Ruri Rocks for the same reason the geology displays at some science museums annoy me. I hate when the exhibit is basically just "look at the pretty rocks" with no context for them. But this show actually wants to provide the geological context, so great! Plus it has really excellent character animation! Instead, it annoyed me by spending way too much time pointing at the camera at the chest and bottom of the adult lead, so I'm still not planning to watch a second episode.

Bullet/Bullet and Onmyo Kaiten Re: Birth Verse were okay for as far as I watched them (1 episode and 2 episodes respectively), I don't think I'd mind watching more, but I haven't gotten around to it, so clearly I didn't like them that much.

And nobody picked up the latest Cute High for streaming, so I don't know what I think of it.
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Apocalypse Hotel was great. Just great. Go watch it. It's definitely on my Hugo ballot next year.

Kowloon Generic Romance ended very well, even if the finale didn't quite have time to spell out every last detail of what was going on. Presumably the manga, which is ending soon, will be able to explain better. Recommended with some disclaimers: there are some very male-gaze camera angles at first but they stop after episode 2, and there is someone who initially appears to be a depressingly stereotypical queer villain but ultimately becomes three-dimensional and far more sympathetic.

Zatsu Tabi continued to be exactly what it appeared to be, a low-key story about travel and introduction to some of Japan's lesser-known tourist attractions.

Sword of the Demon Hunter is continuing into summer, but I have to say this: The choice to fridge someone in the first episode wound up feeling more and more out of place as the story went on. The subsequent story isn't grimdark at all; eventually it's about a guy hanging out in a soba shop with his friends and taking on jobs with an emphasis on how his work heals the community. Even the demons are mostly sympathetic at this point. So I'm not sure why the author chose to do that, other than he couldn't think of another way to get the protagonist out of his comortable village life and out into the world.

For next season, the shows I'm looking at fall into three categories:

Shows I am truly interested in checking out: Bullet/Bullet, Necronomico and the Cosmic Horror Show, The Earthbound Mole, Onmyo Kaiten Re: Birth Verse
Show I would be checking out if it weren't on Netflix: The Summer Hikaru Died
Shows I should be excited about on paper but am not really: Cute High Earth Defense Club Haikara!, Toilet-Bound Hanako-kun season 2 part 2, Ruri Rocks
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Out of 7 shows I was interested in checking out, 3 aren't licensed for streaming in the US. The buzz about Your Forma has been negative enough that I've lost interest in it, but I'd still like to have a look at Miru or The Mononoke Lecture Logs of Chuzenji-sensei if I get the chance.

As for the others, plus one where the reactions on my favorite anime Discord server convinced me to give it a chance:

Apocalypse Hotel: After episode 1, I was amused, because the punchline was easy to guess but the exact form it took was not. After episode 2, I was clearing a spot for it on my Hugo ballot next year. It's whimsical, melancholy, philosophical, absurd, and blessed with some excellent character animation in episode 2. If you thought the premise sounded even remotely interesting, you should absolutely try it.

Lazarus: Sure looks great, but the writing ranges from just plain dumb to complete nonsense. Also it turns out I still hate dubs.

Sword of the Demon Hunter: Sets its protagonist up with an origin story which is dark and edgy on paper, but avoids the gratuitous excesses that would normally go with it. Only the one person that needs to be horribly killed for plot reasons gets horribly killed, and it goes out its way to show its human characters having humanity, allowing the demons to look properly demonic in comparison. Although this was advertised as a time travel story, there's no going back and forth, it's just that a couple of characters are going to have very long lifespans.

ZatsuTabi: Yup, it's just low-key travelogues about journeys to obscure bits of Japan. It turns out that this is my kind of thing right now, but I understand if it isn't yours.

Kowloon Generic Romance: Sets up a fascinating mystery, but it's going to be a competition between my interest in that and my annoyance at how much time the camera spends ogling our heroine (although episode 3 was much better) and how the shortcut to showing us that the apparent villain is evil is to make him an effeminate gay man (episode 3 got much worse on this).

I also managed to stop watching The Apothecary Diaries in the middle of its first episode of the season, so you don't have to keep reading my complaints about it.
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I managed to watch all of four shows the past anime season.

Aquarion: Myth of Emotions was the clear winner for me. Somehow it did manage to do justice to its combo of reincarnation plot, a quirky interpretation of quantum mechanics, and mecha fighting action, all while putting on an absolute masterclass in misdirection. It could still have used two cours rather than one, but it nailed the landing and I'll be remembering it when it's time to come up with the best shows of the year.

Tasokare Hotel was pretty good, although not at all the sort of story it first looked like. The laid-back exploration of people's pasts turned into a dark plot about trying to outmaneuver a serial killer. The last episode featured one of my least favorite twist tropes ever but then immediately recovered. I won't strongly recommend it, but I don't regret the time I spent watching it.

Toilet-Bound Hanako-kun season 2 was very disappointing. Too many predictable developments, and a final arc that felt like it went on forever.

And The Apothecary Diaries, which I can't complain too much about because it was already showing all the signs of Cozy Mystery Disease by the end of season 1, so I knew what I was in for. The visuals continue to be lovely, but the mysteries keep getting solved faster and faster to make room for more character-focused storylines like the one where one character tries to drop a big revelation about his identity, one which has been clear since late season 1, to another character, and after trying for two whole episodes still hasn't managed to spit it out somehow.

I will probably still watch the rest of season 2 out of sheer inertia.

Looking ahead, I have a longer list than usual of shows I want to check out: Sword of the Demon Hunter, Miru, Your Forma, Lazarus, The Mononoke Lecture Logs of Chuzenji-sensei, Zatsu Tabi, and Apocalypse Hotel.
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I seem to be getting back into the rhythm of anime viewing. Shows I have checked out so far:

Ameku M.D.: Doctor Detective is about a genius medical professional who, you guessed it, also solves mysteries. The first one was weird enough to get me to stick around for episode 2, but all the writing around it was terrible and I don't like a single one of the characters, so that was enough.

Momentary Lily is the latest from GoHands, done in the distinctive GoHands style which doesn't bother me one bit, since I am largely immune to animation style (and actually, I thought the mysterious enemies looked kind of cool). But it is also a show assembled entirely from overused tropes and I stopped after episode 1.

Tasokare Hotel is another mystery show, set in a place between our world and the afterlife where spirits go to try to remember who they are and whether they're supposed to be alive or dead. I've seen some negative reviews of it which seem to start from the assumption that it must necessarily be a detective show, and it's terrible from that standpoint, because it isn't a detective show. The main character is there to serve more as a therapist, finding clues to prompt the spirits to tell their own story. I wouldn't normally expect to enjoy a show quite this chill, but I am.

Aquarion: Myth of Emotions is a mecha show trying to go big or go home. So far we've got a big ball of New Age stuff like ancient high-tech civilizations, past lives, and maybe a ghost; quantum weirdness; elemnts from the wilder end of the mecha spectrum including improbably technology, shouted attack names, and ludicrously complicated launch sequences; and all this wrapped up in a most un-anime-like look. Currently it's all what I believe the internet haters call Cal Arts style, but the trailers have promised substantial content with character animated in CGI.

I worry that this series has bitten off more than it can chew (and, apparently, previous Aquarion series have established a tradition of falling apart and disappointing) but man, this is sure not going to be boring.

The excellent if unfortunately named Toilet-Bound Hanako-kun is back for a second season at last, and it's good to see the old gang again, even if I did see the first episode's twist coming a mile away.

And The Apothecary Diaries is back and... I'm not sure if I'm going to keep watching it. I do like historical fantasy costume dramas, but I hate cozy mysteries because the mundane details of the characters' lives tend to start crowding out the parts I find interesting after a while, and the first episode of the new season is 100% slice-of-life hijinks. There are supposedly actual mysteries coming soon, so I don't know, I'll give it another couple episodes.
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I wound up just watching two continuations in the summer cour, and then dealing with the household health crisis meant I didn't have the energy to keep up with a continuing storyline for most of fall.

I finished watching Yatagarasu in the summer, and while the last arc wasn't quite up to the same standard as the main one, it was still the best thing I watched this year, and I am about to become very tiresome by recommending it absolutely anywhere someone implies that they might be interested in Hugo recommendations.

I also watched season 2 of Oshi no Ko, which is mostly about Aqua acting in the stage play adaptation of a shōnen manga. It was good, it left me wanting more of the story, but on a week-to-week basis it felt like it had absorbed a little too much of the shōnen aesthetic. The run of episodes covering opening night probably took longer in total than the actual play would have, much like shōnen battles that can take five episodes to cover 5 minutes.

I also watched 3 or 4 episodes of Bye Bye Earth before losing interest.

In the fall, I caught the beginning of the latest season of Re:Zero, and it seemed fine, and I believe I'll go back and watch the rest of it sometime soon. And in late December, I tried Dan Da Dan before noping out after episode 2.

Dan Da Dan makes an interesting contrast with Undead Unluck. They're both shōnen manga adaptations which both came with a reputation of getting good after a rough start, they both start with a male and female hero being thrown together in immediate peril and forced to work out how to make their powers work together while shouting a lot and enduring a bit of forced intimacy. But one of the reasons I stuck with Undead Unluck was that I was immediately ready to root for Fūko, whereas I don't like either of the leads in Dan Da Dan at all. Also, while some awkwardness between the characters in Undead Unluck is a side effect of Fūko's power working best with direct skin contact, Dan Da Dan is just obsessed with naughty bits and with subjecting its female lead to creep-o-vision camera angles. So no thank you.

My overall top pick for the year is Yatagarasu, as I said, and if I had to round it out to a top 5, I'd add Undead Unluck, Astro Note (shout-out to this review at The Glorio Blog which pointed out there was more going on than met the eye, without which I might not have gone back for episode 2), Oshi no Ko S2, and Train to the End of the World.
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Since I have nothing better to do this morning, an attempt to make sense of the map in episode 2 of Train to the End of the World.

Map from episode 2 of Train to the End of the World

From episode 1, it was possible to deduce that the rail line is the Seibu Railway's Ikebukuro line.

31 stations )
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Looks like I'll be watching Train to the End of the World, Yatagarasu, Tonari no Yokai-san, and Astro Note to the end of the season.

Deets (and some premieres that didn't go so well) )
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Anime spring is coming! Tomorrow, in fact! If you're looking for an exhaustive list of what's coming, you can choose from ANN's sober list of upcoming releases, Scamp's always entertaining season preview, or this YouTube playlist of trailers which was assembled for a watch party at the Animoo Chat Discord server. (Skip to #2 for the first actual trailer.)

The thing I'm most excited about this time is Train to the End of the World, which combines three things I reliably like: trains, weird low-key post-apocalyptic stories, and Yokote Michiko as head writer.

Next up is Karasu wa Aruji o Erabanai (no English title yet because no English-language stream has been announced), about courtly maneuverings in a parallel Heian-era-like world of crow people.

Then there are a whole bunch of things which I think might be good and intend to check out: the Spice & Wolf remake; Wind Breaker, this season's winner for Most Unfortunate Title, which is actually some kind of shonen battler with high school delinquents; Astro Note, which involves an unemployed cook and some aliens undercover as the operators of a boarding house; Tonari no Yōkai-san, which looks like a slice-of-life about rural Japan and the mythological creatures living there; Go, Go, Loser Ranger!, a satire of tokusatsu superhero shows; and Mysterious Disappearances, a contemporary urban fantasy about guess what.

And I'll probably check out Touken Ranbu Kai, even though I don't expect it to be good, just for nostalgia's sake because I watched all of its predecessor back when I was doing the simulcast column for Amazing Stories.
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It's the end of the winter anime season... well, technically, Metallic Rouge has one more episode coming on Wednesday, but watching Metallic Rouge has been like reading someone's unedited first novel, and I doubt the finale is going to change that assessment.

I went back and realized I didn't post about what I was looking forward to this season, what with everything going on. Aside from Metallic Rouge, there were two supernatural shows with 20th-century-ish secondary-world settings. The Witch and the Beast is edgy grimdark about hunting and killing witches, and Delusional Monthly Magazine is a Fortean comedy. After a couple of episodes of The Witch and the Beast trying way too hard to convince the viewer that it was an important thinky show which was trying to tackle big issues by showing lots of young women being mutilated and killed, I was ready to drop it. Delusional Monthly Magazine, though, really found its footing after a couple episodes and became my second favorite show of the season after Undead Unluck.

Undead Unluck just got wilder and wilder, and better and better, though I still wouldn't recommend it to anyone as their first shonen action-adventure show. Unfortunately the start-of-episode recaps got longer and longer too. I'd rather have had it skip a week a few times.

I also watched the second half of The Fire Hunter, which carried over the great story and terrible production values from the first. I hope the book it's based on gets a professional translation someday.

And then there was the rest of the current season of The Apothecary Diaries. I love the historical setting and the mystery-solving, but the budding romance was extremely tedious, I desperately want the male lead to vanish forever and be replaced by someone more interesting, and I did not like aspects of the wrap-up of a certain major character's story toward the end, where someone who is supposed to be an intelligent grown adult is excused from everything by suddenly being portrayed as a helpless man-child. Overall the series has been kind of like junk food or easy-listening music: tasty in the moment, but unsatisfying. And yes, I'll probably still open another bag of it when the inevitable next season comes around.
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I gave up watching Frieren at the halfway point when it tried to have a plotline justifying something that looks like genocide. I say "tried to" because, ironically, it ran into the same problem I was seeing early on, where the author's skills were not up to the task of fully executing their ideas. Turned out to be a good thing in this case, but still, attempting to justify genocide. Plus I didn't really care about any of the characters.

Bullbuster was a perfectly competent midlist effort and has already been forgotten by anime fandom at large.

The Apothecary Diaries and Undead Unluck both remained entertaining and both are continuing into the coming season. Undead Unluck felt like it really hit its stride when the main characters joined the central organization of the story, and I'm still appreciating its dedication to doing romance tropes in a shonen story.

Some late last-minute viewing included the movie wrap-up of Kana of the Great Snow Sea (available on Crunchyroll), and the Christmas Day drop of the last three episodes of Zom 100: Bucket List of the Dead which were supposed to have aired back in September.

Both were very good. I was apprehensive about the Zom 100 episodes since there was a lot of chatter about the griefer villans of the arc and how it didn't fit with the mood of the story, but they were fine. No shock deaths or grimdark misery porn.

Animoo Chat, my favorite anime Discord server, which I encourage any and all anime fans reading this to join, votes on "Anime of the Year" plus specialized awards every year. Everyone gets to pick one top anime and three runners up. Mine were the finale of Attack on Titan for the winner, and Oshi no Ko, Kaina, and Zom 100 for runners-up. If I'd had a fifth place, it would have gone to Hell's Paradise.

Animoo Chat's overall top pick was season 2 of Vinland Saga, which to be fair I've been hearing tons of good things about constantly. Oshi no Ko was #2, and Attack on Titan was #3.

The winners of the regular annual categories were:

  • Best OP/ED: Oshi no Ko OP
  • Hottest Mess: Zom 100
  • Most Tolerable Isekai: Magical Revolution of the Reincarneted Princes and the Genius Young Lady
  • It's Shocking This Anime is Good at All: Onii-chan wa Oshimai
  • Most Anime Anime: The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You
  • Best Anime Movie of 2022 (Animoo Chat votes on awards to movies of the previous year because it often takes so long for them to be released outside of Japan): Yuru Camp Movie
  • Most Disappointing: Helck
  • Best Anime Doomed to Be Forgotten: Overtake!


And the one-off categories for this year were:

  • Best Ridiculously Long Premiere: Oshi no Ko
  • Cast With the Most Rizz (in honor of the Oxford Word of the Year): The Apothecary Diaries
  • Best CG Monstrosity: Those awful horned things with mouths full of molars from KamiKatsu which you'll find if you search on "kamikatsu cgi"
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Today I watched the long-awaited final installment of the anime adaptation of Attack on Titan, which is called, for reasons, Attack on Titan Final Season THE FINAL CHAPTERS Special 2. Since it's a widely viewed show (for anime, anyway), and it just dropped, I won't give any specific spoilers, just my general impression.

Isayama Hajime kept the ending true to the main theme that had been developing over the story, of how to escape the cycle of violence. Special people smashing things with special powers won't cut it; it has to be people from all sides willing to stop retaliating, reach out, and actively work for peace.

Isayama is not entirely optimistic about the odds of that succeeding either.

It's been 10 years since the adaptation debuted, over 2 years since the source manga ended, and yet this last part feels rather too much like a story for exactly this moment in time.
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I've gotten over the urge to list all the new sfnal shows, but I still feel compelled to mention that this season has three shows about people getting sent 12-13 years back in time and two where the entire premise is "a guy plays a VR video game". None of which I am watching! But I have tried out:

Frieren: This is the Big Show of the season, the heavyweight that felt so confident about grabbing people's attention that it dropped the first four episodes all at once. It's... fine. I was really interested in the premise of an elf realizing how fast human lives go by and trying to engage with them more, and after watching two episodes I think I'll get back to it and keep watching. But boy, being set in Generic Fantasy Mishmash Land does it absolutely no favors. Half a century goes by in the first episode and you can't tell because there are no visible changes in dress, architecture, etc. Just a comment from the protagonist that the town seen earlier in the episode sure has changed.

Under Ninja: A deadpan action show about modern ninjas taking themselves way too seriously. The premiere wasn't funny often enough to keep me watching further.

Bullbuster: A small-scale mecha show which is also about a struggling small business and may be working up to some kind of statement about modern corporate Japan. It's got a likeable ensemble cast, and while the science side of things is already showing some holes I expect to keep watching it for the rest of the season.

Undead Unluck: The next adaptation from the pages of Shonen Jump trying to make it big. The buzz about this one was that the early parts of the manga are terrible but it gets better. After three episodes, yeah, it's not highly recommendable yet, but three things are grabbing my attention: the unusual heroine who I found endearing right from the get-go; its commitment to doing romance tropes in fight, shouty, over-the-top Shonen Jump style; and the offhand reveal in episode 3 that the world where this story is taking place has one huge difference from our Earth. This is the one I'm most eager to see new episodes of right now.

Migi & Dali: A horror-comedy-mystery featuring creepy twins masquerading as one kid to solve the mystery of their mother's death. The comedy part is that the twins are evil masterminds but unclear on how mainstream family life works, leading to a series of misunderstandings. This appears to be the only joke, and it is told very very slowly. I dropped it after two episodes.

The Apothecary Diaries: Another high-profile adaptation, which waited until today to premiere so it could drop three episodes at once. I like the setting, I like the mystery-solving, I wish it didn't feel a need to spend so much time belaboring how not interested the protagonist is in the only handsome guy around when he's obviously going to be the love interest eventually.

Fall anime

Oct. 1st, 2023 04:11 pm
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I wound up watching two shows regularly last season: Undead Murder Farce and Zom 100: Bucket List of the Dead.

Undead Murder Farce was such a mixed bag. The first arc was a fine murder mystery. The second went and mixed it up with a whole bunch of familiar characters in Victorian England but then turned into one big fight scene and nothing got solved. The third arc returned to detectiving, which was nice.

The two lead characters are fun to watch. There is an entire organization in the story whose apparent purpose is to provide people with ridiculous names and horrible light-novel outfits who just show up and get killed almost immediately. The third arc pushes way to hard to show how grey the morality of the story is.

I really don't know if I'd watch a second season of it.

Zom 100 was my pick for show most likely to hit production issues, and unfortunately, it did. We only got 9 out of the planned 12 episodes and it's uncertain when the other 3 will air.

But 75% of Zom 100 was still the best thing going this season. It's a life-affirming horror story, it's a comedy which understands the horrible things that toxic jobs do to people, it's a fun romp with a hero who's great to spend time with.

I will say episode 4 is a low point, but stick with it, because next episode you get to see what I have taken to calling the Pantomime Shark. Also ahead is Akira finally learning to really quit a terrible job.

It took until episode 9 for Zom 100 to even have its full OP (NSFW, comic nudity) in place, but I think it may be my favorite this year.

I also watched one episode of The Masterful Cat is Depressed Again Today, and it was not quite my kind of thing, but I can report it was pleasant, and the buzz at my favorite anime Discord server is that it held up well for the rest of the season.
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So it's a new season and there's not a lot of enthusiasm out there. In the sf world, we get to choose from:

History but not as you know it: Ōoku: The Inner Chambers, Undead Murder Farce
Contemporary supernatural: Dark Gathering, Ayaka: A Story of Bonds and Wounds
High-concept dark horse: The Gene of AI
Cat: The Masterful Cat is Depressed Again Today
Zombie apocalypse as an improvement on modern work: Zom 100: Bucket List of the Dead
Video game tie-ins: Synduality: Noir, Atelier Ryza: Ever Darkness & the Secret Hideout
Magic school: Reign of the Seven Spellblades, Classroom For Heroes
Down and out in Demon Land: Level 1 Demon Lord and One Room Hero, Helck
Standard isekai: My Unique Skill Makes Me OP Even at Level 1, Am I Actually the Strongest?
Isekai might be running out of ideas: Sweet Reincarnation, The Great Cleric, The Most Heretical Last Boss Queen, Reborn as a Vending Machine, I Now Wander the Dungeon

Ōoku would be at the absolute top of my viewing list, except it's on Netflix and this is currently a Hulu household. Zom 100 sounds really interesting even though I'm generally sick of zombies, and likewise Undead Murder Farce, whose original title incidentally is Undead Girl Murder Farce, and really, with a title like that, how can I not check it out.
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Spring season overran a bit due to the now nearly standard production delays; the last show I watched all of just ended yesterday.

I couldn't finish Dr Stone: New World. I care less and less about most of the characters, and for a show so enthusiastically about SCIENCE! the anthropology has some awfully big holes in it.

Oshi no Ko is a very hard show to sum up, but a very good one. I mean, there's all the reincarnation and murder and mystery stuff in the background, but from week to week it's mostly about the quirks of the Japanese entertainment industry. Anyway, it'll probably be one of my picks for best of the year. Highly recommended (or check out the manga if that's more your thing).

Hell's Paradise followed up the best premiere with the dumbest second episode I saw this season, but it steadied itself and has wound up as a good solid shonen adventure with a highly original setting. If you aren't into shonen adventure shows, be aware that power levels and personal energy types and other shonen trappings will eventually turn up.

And then there's Heavenly Delusion, which has fallen so far in my estimation that now I'm glad Disney+/Hulu made it hard to find. There's some great intricate plotting, but every teenage girl in it is there there to suffer and die; every adult woman is evil, clueless, or both; the background characters are like 99% male for no discernable reason; and the primary female-presenting character gets assaulted twice, once for laughs and then, just a couple episodes later, for shock value. Let this molder in obscurity.
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I managed to watch a bunch of premieres this time.

Hell's Paradise: Easily the best premiere of the season, featuring striking art and some nice twists on action tropes. The apparent moodiness of the protagonist is just a front which is taken down quickly, his wife who would have been horribly killed to motivate him in most stories is alive and well, and oh, a married protagonist, very unusual in a shonen show. Also a competent female secondary character who isn't belittled or harassed by anyone. This was followed by by a really dumb turn in episode 2 to introduce the rest of the cast, but I'll stick with it for now.

Heavenly Delusion/Tengoku Daimakyo: A nice competent post-apocalyptic dystopia. Sticking with this one too.

Too Cute Crisis: Cute enough, although it does take a brief trip into animal neglect and abuse. I am somewhat offended that it couldn't stick with cats for an entire episode and has to start squeeing about cute dogs too.

OPUS.COLORs: Meh. If you like dramas full of teenage bishonen then I guess it's okay.

Magical Destroyers: It's terrible, please watch Rumble Garanndoll instead.

The Marginal Service: Well, this has excellent marketers at least. Everyone was hyped up about a show that turned out to be an exercise in finding a way to claim that police brutality is Good Actually.

Oshi no Ko: The 90-minute premiere is quite a ride that winds up in a far, far different story than the initial premise suggests. I don't want to spoil you all here, but you can find fuller descriptions out there if you want to know more before you make up your mind about checking it out. I'll just say that I'm going to keep watching this one too.
petrea_mitchell: (Default)
A little late, but spring's sfnal shows by category are:

Post-Apocalyptic Straight SF: Heavenly Delusion
Historical Fantasy: Hell's Paradise
Vaguely Medieval-Like Fantasy: The Legendary Hero is Dead!, Sacrificial Princess & the King of Beasts, Mashle: Magic & Muscles
Portal Fantasy: KamiKatsu: Working for God in a Godless World, My One-Hit Kill Sister, Why Raeliana Ended Up at the Duke's Mansion, The Aristocrat’s Otherworldly Adventure: Serving Gods Who Go Too Far
Back and Forth Fantasy: Summoned to Another World for a Second Time, I Got a Cheat Skill in Another World
Miscellaneous Reincarnation: Oshi no Ko, Dead Mount Death Play
Art But Futuristic: OPUS.COLORs
Entertainment But Futuristic: Stella of the Theater: World Dai Star, Tōsōchū: The Great Mission
For Highly Specific Tastes: Too Cute Crisis, Rokudo's Bad Girls
Fan Bait: Magical Destroyers, Otaku Elf
Star-Studded Enigma: The Marginal Service

I'm looking forward to a bunch of these. Hell's Paradise and Heavenly Delusion are on my list because they look actually good, The Marginal Service because I like everyone else in anime fandom am wondering what on earth it's actually about, Oshi no Ko because I stumbled across an extended description of the premise and it sounds moderately nuts, Too Cute Crisis and Magical Destroyers because they are catering to my tastes, and OPUS.COLORs because eh, might be good?

Incidentally, if Heavenly Delusion sounds good to you and you want to watch the legal stream (on Hulu in the US, Disney+ outside the US), you will need to look for it under its original title of Tengoku Daimakyo.

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